Hamlet has been one of the most notable features in Shakespeare’s tragedy genre. We find Hamlet overly idealistic and almost like a child who goes by the driving core instincts of protecting the father or preserving the astute imagery of a father at the face of opposing forces.
He resolutely defends his ideals and the paternal image as a direct reflection to his own identification of the world. But in his despair and not being able to see that he would not be able to bring justice without the proper deals, he takes the ultimatum for revenge through multiple murders and then committing suicide himself. Hamlet has also been affected by melancholia, a more over understood Renaissance syndrome among learned young men, as explained through Burton’s work, “The Anatomy of Melancholy”.
“Hamlet” happens to be one of the most important plays in Shakespeare’s oeuvre written in 1601 or 1602, and it is a development in the tragic milestone for dramatic development. There are brilliant deceptions and trajectory points that work through the opposing forces within the character.
The need for Hamlet’s revenge along with the dramatic violent acts on stage creates a confluence of the complex actions within the tapestry of the schemes. The artistic maturity of the play reaches a pinnacle with the play within the play structure.
There are varied opposing forces within the society that are shown through the moral integrity as well as the avenging reactions going on within Hamlet. Shakespeare’s focus has been revolutionized in this play signifying layers of tragic formation that takes its place within the bigger structure.
“Hamlet” has also been linked with Thomas Kyd’s “The Spanish Tragedy” in its exceptional culmination of differing forces working together with the continuation of the deliberation of the rich and complex tapestry of unraveling the revenge plots. “Hamlet”’s plot has been found to be similar with the legendary Francois de Belleforest’s “Histories Tragiques, Extraicts des Oeuvres Italiennes de Bandel” which have expanded through the accounts and records found in the “Historiae Danicae”. These have been some of the reported resources which influenced Shakespeare’s composition of “Hamlet”.
This rich tragedy in its intense psychological layers has continued to delight readers and audiences even now.
Critic, Ernest Johnson has worked through disentangling of the different temptations that have been occupying Hamlet’s “reasoning” along with his emergence to be active at the face of gross injustice that he sees around him.
His dilemmas are multilayered but he also goes through the swings of universal identification as well as abject alienation in his search for justice and morality within the society. His continued search and upholding of human identity makes him a man who is welcomed in different ages.
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