The rewritten Scottish history plays the dualities of human characters and the serpentine seeds of political ambition and power play in a very bleak fashion. The general history regarding King Macbeth and his queen was however very different. The actual play of blood and gore has been supposedly made by Shakespeare as a bleak projection of human complexities.
The real evidences of Kind Macbeth of Scotland stay far from the swift downfall and power play. The beginning of the play shows an utterly happy and content king who indulges his vassals and upholds trust, glory and justice over everything.
The sliding down of these human values however takes place rather quickly. The play is quite racy and the individual characterizations however speed from such an idyllic balance to complete turn around which are reflected on the state of the kingdom itself.
With the murder of King Duncan and Macbeth’s constant struggle to climb higher up the ladder of power there are piles and piles of murder and crimes that get committed resulting in utter chaos in the usually well maintained kingdom. The central theme for “Macbeth” is the reversal and displacement of the good for the bad though a rather temporary one.
The play restores harmony and the triumph of the king who is just, at the end. Throughout the play we see this constant struggle of Macbeth’s shadow self fighting the other. He is always in dualities and trying to justify his deeds.
He is shown as a puppet in the ruthless hands of ambition. At one pace he is directed by ambition and called to commit his sins while at the other he tries to feebly plead for his weak human nature that falls under the trap. So as the play goes along we find stark contrasts in the lines like:
“Fair is foul, and foul is fair.”
“Like a rat without a tail, I’ll do, I’ll do, and I’ll do.”
“Is this a dagger which I see before me…or art thou but a dagger of the mind?”
Double, double toil and trouble.”
“By the pricking of my thumbs, something wicked this way comes.”
“Out, damned spot!”
“There’s daggers in men’s smiles.”
“Stars, hide your fires! Let not light see my black and deep desires.”
The dualities are not only seen in the weaker and possessed mind of Macbeth but also his conspiring wife. Though Lady Macbeth is seen as a driving force behind Macbeth’s way down to the pits of hell she actually comes nothing more than part of the supernatural conspiracy.
The unfolding of the play actually, in effect, reveals the test of justice versus unfettered and ruthless ambitions.
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